Clint Eastwood: Interviews, Revised and UpdatedRobert E. Kapsis, Kathie Coblentz Clint Eastwood (b. 1930) is the only popular American dramatic star to have shaped his own career almost entirely through films of his own producing, frequently under his own direction; no other dramatic star has directed himself so often. He is also one of the most prolific active directors, with thirty-three features to his credit since 1971. As a star, he is often recalled primarily for two early roles—the “Man with No Name” of three European-made Westerns, and the uncompromising cop “Dirty” Harry Callahan. But on his own as a director, Eastwood has steered a remarkable course. A film industry insider who works through the established Hollywood system and respects its traditions, he remains an outsider by steadfastly refusing to heed cultural and aesthetic trends in film production and film style. His films as director have examined an eclectic variety of themes, ranging from the artist's life to the nature of heroism, while frequently calling into question the ethos of masculinity and his own star image. Yet they have remained accessible to a popular audience worldwide. With two Best Director and two Best Picture Oscars to his credit, Eastwood now ranks among the most highly honored living filmmakers. These interviews range over the more than four decades of Eastwood's directorial career, with an emphasis on practical filmmaking issues and his philosophy as a filmmaker. Nearly a third are from European sources—several appearing here in English for the first time. |
Contents
| ix | |
Chronology | xxiii |
Filmography | xxxi |
No Tumbleweed Ties for Clint | 3 |
Eastwood on Eastwood | 7 |
Eastwood Direction | 20 |
Attention to Detail and Involvement for the Audience | 40 |
An Auteur to Reckon With | 53 |
America on the Brink of the Void | 156 |
Q A with a Western Icon | 163 |
Midnight in the Garden of Good and Evil and The Bridges of Madison County | 168 |
A Conversation with Clint Eastwood about Mystic River | 178 |
Eastwood without Anger or Forgiveness | 189 |
Staying Power | 193 |
Eastwoods Letters from Iwo Jima | 206 |
The Quiet American | 219 |
Cop on a Hot Tightrope | 57 |
From Play Misty for Me to Honkytonk Man | 72 |
The Rolling Stone Interview | 93 |
Eastwood on Eastwood | 106 |
Flight of Fancy | 112 |
Interview with Clint Eastwood | 119 |
Interview with Clint Eastwood | 131 |
Any Which Way He Can | 142 |
Other editions - View all
Clint Eastwood: Interviews, Revised and Updated Robert E. Kapsis,Kathie Coblentz Limited preview - 2012 |
Common terms and phrases
actor American Art Director asked audience Bird Black Heart Bronco Billy Bruce Surtees camera Cast character Clint Eastwood Cox Production Designer directing Director of Photography Dirty Harry Don Siegel Eastwood says Eastwood Screenplay editing everything Executive Producer feel filmmaker Fistful of Dollars Frankie Freeman girl Gran Torino happened hero High Plains Drifter Honkytonk interesting interview Invictus Iwo Jima Jack Japanese jazz Joel Cox Joel Cox Production John Kaminsky kind knew Lennie Niehaus look Malpaso Mandela Michael Million Dollar Baby minutes Academy Award movie Mystic River never Outlaw Josey Wales Pale Rider Panavision person picture Play Misty Rawhide Reprinted by permission role scene screen script sequence Sergio Leone shooting shot someone Sondra Locke star story studio talk Technicolor television tell theme there's things thought Tightrope told Unforgiven violence Warner Bros western White Hunter Yeah
