Chick Lit and Postfeminism

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University of Virginia Press, 2011 - Literary Criticism - 247 pages
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Originally a euphemism for Princeton University’s Female Literary Tradition course in the 1980s, "chick lit" mutated from a movement in American women’s avant-garde fiction in the 1990s to become, by the turn of the century, a humorous subset of women’s literature, journalism, and advice manuals. Stephanie Harzewski examines such best sellers as Bridget Jones’s Diary The Devil Wears Prada, and Sex and the City as urban appropriations of and departures from the narrative traditions of the novel of manners, the popular romance, and the bildungsroman. Further, Harzewski uses chick lit as a lens through which to view gender relations in U.S. and British society in the 1990s. Chick Lit and Postfeminism is the first sustained historicization of this major pop-cultural phenomenon, and Harzewski successfully demonstrates how chick lit and the critical study of it yield social observations on upheavals in Anglo-American marriage and education patterns, heterosexual rituals, feminism, and postmodern values.

 

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Contents

Acknowledgments
Introduction
1 Postmodernisms Last Romance
2Bridget Joness Diary and the Production of a Popular Austen
3Sex and the City and the New York Novel
4 The Legacy of WorkingGirl Fiction
5 Theorizing Postfeminist Fictions of Development
Epilogue
Notes
Bibliography
Index
Copyright

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About the author (2011)

Stephanie Harzewski is Lecturer in the Department of English at the University of New Hampshire.

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