Art as ExperienceBased on John Dewey's lectures on esthetics, delivered as the first William James Lecturer at Harvard in 1932, Art as Experience has grown to be considered internationally as the most distinguished work ever written by an American on the formal structure and characteristic effects of all the arts: architecture, sculpture, painting, music, and literature. |
Contents
The Live Creature | 1 |
The Live Creature and Etherial Things | 20 |
Having an Experience | 36 |
The Act of Expression | 60 |
The Expressive Object | 85 |
Substance and Form | 110 |
The Natural History of Form | 139 |
The Organization of Energies | 168 |
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Common terms and phrases
action activity actual architecture artist beauty becomes belongs building called carry cause character color comes common complete conception connection consciousness constitute continuity criticism defined definite desire direct distinction effect elements emotion ence energy enter environment esthetic esthetic experience existence experience expression external fact factors feeling forces give human idea imagination immediate important impulsion individual integral intellectual intense interaction interest involved kind limited lines living manifestation marks material matter means medium merely mind mode moral move movement nature object once operates organism painting particular past perceived perception philosophic physical picture play poetry possible practical present problem question reason reference reflection relations result rhythm scene sense separation shape significant sounds statement substance theory things thought tion tradition true values vision whole
Bibliographic information
| Title | Art as Experience Perigee Books |
| Author | John Dewey |
| Edition | illustrated, reprint |
| Publisher | Penguin, 2005 |
| ISBN | 0399531971, 9780399531972 |
| Length | 384 pages |
| Subjects | › Art / Criticism & Theory Philosophy / Aesthetics Philosophy / Criticism |
| Export Citation | BiBTeX EndNote RefMan |