About Face: German Physiognomic Thought from Lavater to Auschwitz

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Wayne State University Press, 2004 - Physiognomy - 453 pages
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Once associated with astrology and occultist prophecy, the art of interpreting personal character based on facial and other physical features dates back to antiquity. About Face tells the intriguing story of how physiognomics became particularly popular during the Enlightenment, no longer as a mere parlor game but as an empirically grounded discipline. The story expands to illuminate an entire tradition within German culture, stretching from Goethe to the rise of Nazism.

In About Face, Richard T. Gray explores the dialectical reversal--from the occult to the scientific realm--that entered physiognomic thought in the late eighteenth century, beginning with the positivistic writings of the Swiss pastor Johann Caspar Lavater. Originally claimed to promote understanding and love, physiognomics devolved into a system aimed at valorizing a specific set of physical, moral, and emotional traits and stamping everything else as "deviant." This development not only reinforced racial, national, and characterological prejudices, but lent such beliefs a presumably scientific grounding.

In the period following World War I, physiognomics experienced yet another, unprecedented boom in popularity. Gray explains how physiognomics had by then become a highly respected "super-discipline" that embraced many prominent strands of German thought: the Romantic philosophy of nature, the "life philosophy" propagated by Dilthey and Nietzsche, the cultural pessimism of Schopenhauer, Husserl's method of intuitive observation, Freudian psychoanalysis, and early-twentieth-century eugenics and racial biology. A rich exploration of German culture, About Face offers fresh insight into the intellectual climate that allowed the dangerous thinking of National Socialism to take hold.

 

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Contents

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Page xli - ... it is not that the beautiful totality of the individual is amputated, repressed, altered by our social order, it is rather that the individual is carefully fabricated in it, according to a whole technique offerees and bodies.
Page xli - We are neither in the amphitheatre, nor on the stage, but in the panoptic machine, invested by its effects of power, which we bring to ourselves since we are part of its mechanism.
Page xli - Our society is one not of spectacle, but of surveillance; under the surface of images, one invests bodies in depth; behind the great abstraction of exchange, there continues the meticulous, concrete training of useful forces; the circuits of communication are the supports of an accumulation and a centralization of knowledge; the play of signs defines the anchorages of power; it is not that the beautiful totality...

About the author (2004)

Richard T. Gray is the Byron W. and Alice L. Lockwood Professor in the Humanities at the University of Washington. He teaches in the Department of Germanics.

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