Egyptian Drama and Social Change: A Study of Thematic and Artistic Development in Yūsuf Idrīs's Plays

1952 Revolution According to Idris Adam Aḥmad al-Akh al-Bahlawan al-Farāfir al-Fikr wa Fikr al-Gharbāwī al-Jins al-Thalith al-Laḥza al-Harija al-Mahzala al-Arḍiyya al-Majalla al-Masraḥ al-Mukhaṭṭāṭīn al-Mustaqbal Almaz Arabic Drama Arabic literature artistic Awaḍ become Brother Cairo changes characters circus clown created creative critics cultural Dār dialogues discussion Doctor dramatic structure Egypt Egyptian and Arab Egyptian Arab Egyptian drama Egyptian realities Egyptian society Egyptian Theatre fantasy Faqr al-Fikr Faraj Farfur Faruq Abd father fear feelings fiction Fikr al-Faqr Hajj Hajj Naṣṣār happy Ḥasan hero human Ibid ideas Idris presents Idris's drama Idris's plays influence issues Jumhuriyyat Faraḥāt leader literary live look Luwis Maktabat Mişr Malik al-Qutn Master Mirfat Modern Arabic Muḥammad Nāra narration Nās novel peasant personality playwright political post-revolutionary problems Qamḥāwī realism role Sa'd short stories Şifr social socialist realism Tawfiq al-Hakim tram controller truth utopian W.N. Kirpičenko writing Yusuf Idris Za'rub