Hong Kong Cinema: The Extra DimensionsCovering a period from 1909 to the end of Hong Kong cinema in the present day, this book features information about the films, the studios and the personalities that have shaped this kind of cinema. It includes studies of the films of King Hu, Bruce Lee and Jackie Chan, as well as those of John Woo and the directors of the various New Waves. The book applies a bicultural (Chinese and Western) perspective and encompasses genres ranging from melodrama to martial arts, kung fu, fantasy and horror movies, as well as the international art-house successes. |
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Page 11
... Mandarin cinema in Hong Kong , quite separate from the Cantonese cinema for which the territory was known . Despite the distinctive qualities of each of these cinemas , the industry largely operated on the basis of vertical inte ...
... Mandarin cinema in Hong Kong , quite separate from the Cantonese cinema for which the territory was known . Despite the distinctive qualities of each of these cinemas , the industry largely operated on the basis of vertical inte ...
Page 43
... cinema fought a battle on two fronts : the invasion of opera actors and the competition posed by Mandarin cinema . The post - war Mandarin cinema in Hong Kong started off on a grand scale , as evidenced in Li Zuyong's two aforementioned ...
... cinema fought a battle on two fronts : the invasion of opera actors and the competition posed by Mandarin cinema . The post - war Mandarin cinema in Hong Kong started off on a grand scale , as evidenced in Li Zuyong's two aforementioned ...
Page 59
... Mandarin market in Southeast Asia effectively wiped out whatever gains Cantonese cinema might have made with its successful teenage movies or fantasy - martial arts movies which predated the rise of the genre in Mandarin cinema by a few ...
... Mandarin market in Southeast Asia effectively wiped out whatever gains Cantonese cinema might have made with its successful teenage movies or fantasy - martial arts movies which predated the rise of the genre in Mandarin cinema by a few ...
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action actor appears artist attempts audiences became become Cai Chusheng Cantonese Cantonese cinema career Chan Chang characters Cheung China Chinese City classic co-dir co-scr comedies continued critics culture deals death developed directed director Dragon early effects face father film industry film-makers final force gang genre Ghost girl Golden hero Hong Kong cinema Japanese King Hu known Kong's kung fu later Lee's Little lives Long Love male Mandarin martial arts master melodrama musical narrative Once opera performance period played police political produced Qing relationship released role romantic scene seen sense Shanghai social Song stars Story studio style success Taiwan theme tradition Tsui turned Wang wave Western woman women Wong Yim Ho young Zhang