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The pursuit of spiritual wisdom:

the thought and art of Vincent van Gogh and Paul Gauguin
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Fairleigh Dickinson Univ Press, 1998 - Biography & Autobiography - 211 pages
This book explores van Gogh's and Gauguin's conviction that the purpose of visual art in human culture is to communicate a spiritual understanding of existence comparable to the wisdom contained in the metaphors and parables of myths, religions, and literature. Monographic studies in the book, which entail many new interpretations of van Gogh's and Gauguin's imagery, reveal the ways in which their ideas and the specific events of their personal lives shaped their creation of meaningful symbolic motifs.
  

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Contents

The Symbolist Revolt against Modern Life
1
The Symbolist Requirements of Art
14
The Existence of God and Eternity Van Goghs Search for Spiritual Salvation
43
Out of Darkness
45
Salvation in the South The Year in Arles
62
Through a looking glass by a dark reason The Final Struggle for Life and Art
89
From Here to Eternity Gauguins Journey Towards Nirvana
115
Decadence and Disillusionment in the West
117
Death and Rebirth in the Garden Tahiti 18911893
140
Bitter Interlude and Return to Paradise 18931903
159
NOTES
177
ILLUSTRATIONS
191
BIBLIOGRAPHY
193
INDEX
199
Copyright

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From other books

Smile of the Buddha: Eastern philosophy and Western art from Monet to today

References from web pages

JSTOR: The Pursuit of Spiritual Wisdom: The Thought and Art of ...
The Pursuit of Spiritual Wisdom: The Thought and Art of Vincent van Gogh and Paul Gauguin. By Naomi Margolis Maurer. 211 pp. incl. 321 col. pls. + 66 b. ...
links.jstor.org/ sici?sici=0007-6287(199909)141%3A1158%3C550%3ATPOSWT%3E2.0.CO%3B2-V

Art, Artists, Painters and Provence; The Bookstore at L'Atelier de ...
The Pursuit of Spiritual Wisdom: The thought and Art of Vincent Van Gogh and Paul Gaugin by Naomi E. Maurer, Vincent Van Gogh, Paul Gauguin ...
stillives.com/ books.html

Vincent van Gogh, Zwei Zypressen, 1889
Maurer, Naomi E.: The Pursuit of Spiritual Wisdom. The Thought and Art of Vincent van. Gogh and Paul Gauguin, Kranj 1998, S. 89-106 ...
www.physik.uni-muenchen.de/ lehre/ vorlesungen/ sose_07/ HS_van_Gogh/ Skripten/ I-Ting.pdf

About the author (1998)

Vincent Van Gogh was one of the great postimpressionist masters and, because of the power and accessibility of his work and the tragedy and dedication of his life, almost a legend as an artist. The son of a Dutch parson, he was largely self-taught. Ascetic and intensely spiritual, he viewed art as almost a religious vocation. He painted incessantly and left a vast volume of work but sold only one picture during his lifetime. In 1888 Van Gogh went to Arles in search of the glowing sunlight, there breaking from the somber, earthbound realism of his early style to the brilliant colors, passionate thick brushstrokes, and incredible joyousness of his later style. Tragically, he became insane and shot himself in 1890. His letters to his brother Theo are a moving and fascinating account of his working processes and the agony and drama of his daily life.

Paul Gauguin, together with Vincent Van Gogh and Paul Cezanne, was one of the great masters of postimpressionism. His life story, prototypical of the artist-rebel, was the subject of films and novels, such as The Moon and Sixpence by W. Somerset Maugham. Born in Paris, Gauguin spent his youth with his mother's family in Peru and went to sea as a 16-year-old. He then became a stockbroker in Paris, painting only in his spare time. His early paintings were in the impressionist style. In 1883 he broke with his bourgeois life and eventually separated from his family. In 1888 he visited Van Gogh in Arles---with disastrous results. In 1891 he went to Tahiti. Apart from a short return to Paris, he spent the rest of his life in the South Sea Islands, suffering from poverty, poor health, and recurring struggles with the colonial authorities. In his art, Gauguin sought to return to nature and truth. Inspired by the islanders, among whom he was living, he covered his canvases with stark forms, rhythmic patterns, and strong color, going far beyond naturalistic representation. Through this, his influence on modern art was powerful. His book Noa Noa (1894--1900) is a moving account of his thoughts and life.

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