The Use of History and Myth in Selected Later Plays of Antonio Buero Vallejo

actions actors Adrienne Antonin Artaud Antonio Buero Vallejo Apollonian and Dionysian archetype Arrieta Artaudian artist audience member becomes Bernier blind beggar Brechtian Buero Vallejo's plays Buero's later plays Buero's plays catharsis character Concert of Saint contemporary theatre contemporary world creates David deafness death dehumanized demonstrates dignity Don Quixote Donatien dramaturgy dreams Duaso El tragaluz Eloy Eloy's emotional emotionally Encarna external defeat Goya Goya's helmet historical incident historical situation historio-mythic synthesis history and myth hypothetical dramatization Ibid identity individual inner history Inquisition Ismael Jung Las Meninas Leocadia Madrid manifested Mario Marta Mito Modern Spanish Stage mysterious outer history painting participation pinturas negras plays of Buero playwright political position potential present protagonist purged razon re-created realized Saint Ovide scene siglo social society socio-political level Spain sueño sueño de la symbol Teatro Teatro Español theme tion Torrente Ballester tragaluz tragedy tragic intention Valentin Hauy Valindin Vicente Vicente's visionary visions visitantes voices