Acoustics and PsychoacousticsThe acoustics of a space can have a real impact on the sounds you create and capture. Acoustics and Psychoacoustics gives you an essential grounding and understanding to how real music sounds behave in different spaces whether during a performance or a recording and how they are perceived by performers and listeners. With their clear and simple style, Howard and Angus address both theory and practice by addressing the science of sound engineering and music production, the acoustics of musical instruments, the ways in which we hear musical sounds, and the application of these concepts to music spaces to create professional sound. Real-world examples and audio clips are included, providing practical materials to work with. The new edition uncovers the acoustic application for today's recording industry. The accompanying CD provides audio examples to help readers gain a clear understanding of the many concepts discussed in the book |
Contents
Chapter 2 Introduction to Hearing | 73 |
Chapter 3 Notes and Harmony | 121 |
Chapter 4
Acoustic Model for Musical Instruments | 167 |
Chapter 5
Hearing Timbre and Deceiving the Ear | 231 |
Chapter 6
Hearing Music in Different Environments | 277 |
Acoustics and Psychoacoustics Combined | 365 |
| 437 | |
Solving the ERB
Equation | 447 |