Women and Popular Music: Sexuality, Identity, and Subjectivity
From Janis Joplin to P.J. Harvey, this work explores the changing role of women musicians and the ways in which their songs resonate in popular culture. Through a series of artist case studies Sheila Whiteley examines the interaction between feminist debates and music culture over 30 years of pop history. She begins by examining the counter-culture's reactionary attitudes to women through the lyrics of The Beatles and The Rolling Stones. She explores the ways in which artists like Joplin and Joni Mitchell confronted issues of sexuality and freedom, redefining women's participation in the industry. She considers how stars such as Annie Lennox, Madonna and K.D. Lang have confronted issues of gender stereotyping and sexuality, through pop videos for Justify My Love and Sweet Dreams (Are Made of This), and looks at the importance of the singer-songwriter through artists such as Tracey Chapman. Lastly, she assesses the contribution of contemporary artists including Tori Amos, P.J. Harvey and Courtney Love, and asks whether the Spice Girls are just a cartoon feminist pop group or if they provide positive role models for teenage girls.
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Wonderful world beautiful people The 1960s counter culture and its ideological relationship to women
Repressive representations Patriarchy femininities and 1960s rock
The personal is political Womens liberation sexuality gender freedom and repression
Try just a little bit harder Janis Joplin and the search for personal identity
The times they are achangin Folk and the singer songwriter
The lonely road Joni Mitchell Blue and female subjectivity
Daughters of chaos Patti Smith Siouxsie Sioux and the feminisation of rock
Challenging the feminine Annie Lennox androgyneity and illusions of identity
Madonna eroticism autoeroticism and desire
kd lang a certain kind of woman
Talkin bout a revolution Tracy Chapman political uprisings domestic violence and love
Authenticity truthfulness and community Tori Amos Courtney Love PJ Harvey and Bjork
Artifice and the imperatives of commercial success From Brit Pop to the Spice Girls
Other editions - View all
Gendered Lives: Communication, Gender, and Culture (with InfoTrac)
Julia T. Wood
No preview available - 2005
Notes: Women and Popular Music: Sexuality, Identity and ...
Women and Popular Music: Sexuality, Identity and Subjectivity. By Sheila Whiteley. New York: Routledge, 2000. [x, 246. ISBN 0-415-21189-1. ...
findarticles.com/ p/ articles/ mi_go1607/ is_200206/ ai_n7005895/ print
University of Chicago Press - Book Reviews - 10.1086/382645
Women and Popular Music: Sexuality, Identity, and Subjectivity . By Sheila Whiteley. London and New York: Routledge, 2000. Music and Gender ...
www.journals.uchicago.edu/ cgi-bin/ resolve?id=doi:10.1086/ 382645
Stan Hawkins, Settling the Pop Score: Pop Texts and Identity ...
... Women and Popular Music: Sexuality, Identity and Subjectivity (New York and London: Routledge, 2000), ISBN 0 415 21189 1 (hb), 0 415 21190 5 (pb) ...
(( pinknoises ))
Women and Popular Music: Sexuality, Identity and Subjectivity. London and New York: Routledge, 2000. Whiteley, Shelia, ed. Sexing the Groove: Popular Music ...
ECHO VI/1: Heisler Works Cited
Ed. Sheila Whiteley. New York: Routledge, 1997. ———. Women and Popular Music: Sexuality, Identity, and Subjectivity. New York: Routledge, 2000. ...
www.echo.ucla.edu/ volume6-issue1/ heisler/ heisler5.html
Whiteley, Sheila. Women and Popular Music: Sexuality, Identity and Subjectivity. Routledge.  pp. 246. pb £13.99 ISBN 0 4152 1190 5.
ywcct.oxfordjournals.org/ cgi/ reprint/ 10/ 1/ 70.pdf
Index to Volume 59
Women and Popular Music: Sexuality, Identity, and Subjectivity, by Sheila Whiteley, re-. viewed by BONNIE GORDON, 2:473–82. Writing American Indian Music: ...
caliber.ucpress.net/ doi/ pdf/ 10.1525/ jams.2006.59.3.800
Women And Popular Music - Boek - BESLIST.nl
Bekijk en vergelijk informatie, beoordelingen, vragen & antwoorden en de beste winkels voor 'Women And Popular Music' op BESLIST.nl ▪ Boeken Engels ...
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Women and Popular Music: sexuality, Identity and subjectivity (2000) includes one. brief mention of Kate Bush merely in terms of her influence upon kdlang ...
www.ashgate.com/ subject_area/ downloads/ sample_chapters/ Kate_Bush_and_Hounds_of_Love_Intro.pdf
A second book by Sheila Whiteley, Women and Popular Music: Sexuality, Identity and Subjectivity, is also of considerable interest. ...
www.uwm.edu/ ~jmbowers/ feministscholarship.html