Vision and Visuality, Issue 2Hal Foster A Village Voice Best Book of the Year, this seminal work presents new models of vision and examines modern theories of seeing in the context of contemporary critical practice. With contributions by:
|
From inside the book
Results 1-3 of 13
Page 19
... discourse that elevates the sublime to a position of superiority over the beautiful , it is surely the " palimpsests of the unseeable , " 38 as Buci - Glucksmann calls baroque vision , that seem most compelling . And if we add the ...
... discourse that elevates the sublime to a position of superiority over the beautiful , it is surely the " palimpsests of the unseeable , " 38 as Buci - Glucksmann calls baroque vision , that seem most compelling . And if we add the ...
Page 77
... discourse ” and “ fig- ure " on the one hand , and “ libidinal economy ” on the other . The concept of libidinal economy seems to me available for an almost physiological account of the substrata of conscious per- ception and identity ...
... discourse ” and “ fig- ure " on the one hand , and “ libidinal economy ” on the other . The concept of libidinal economy seems to me available for an almost physiological account of the substrata of conscious per- ception and identity ...
Page 110
... discourse of a Heideggerian motif even more than a Merleau - Pontyan one . When Heidegger talks about the notion of Umsicht , of a circumspect vision , he means a vision that doesn't have any one particular vector . And when he contests ...
... discourse of a Heideggerian motif even more than a Merleau - Pontyan one . When Heidegger talks about the notion of Umsicht , of a circumspect vision , he means a vision that doesn't have any one particular vector . And when he contests ...
Contents
Jonathan Crary | 29 |
Rosalind Krauss | 51 |
GENERAL DISCUSSION | 79 |
Copyright | |
2 other sections not shown
Other editions - View all
Common terms and phrases
Alpers argue art history art of describing artists beat body Buci-Glucksmann Cambridge camera obscura Cartesian perspectivalism Ch'an concept construction critique cultural decentering Descartes Dia Art Foundation discourse discussion dominant Dutch art erotic example fantasy figure film folie du voir Foucault frame Freud gaze grid Hal Foster Helmholtz historical Ibid Jacqueline Rose Jacques Lacan Jameson jects Jonathan Crary Lyotard Martin Jay matrix Max Ernst Merleau-Ponty modern modernist nerve nineteenth century Nishida Nishitani Norman Bryson notion object observer optical Pablo Picasso painting paranoid perception perspectivalist perspective photography physiological Picasso political position postmodern produced psychic psychoanalysis pulse question radical relation Renaissance representation Richard Rorty Rosalind Krauss Sartre and Lacan Sartre's scopic regime seems sense sight sion social specific śūnyatā techniques theory thought tion tive tradition trans twentieth century unconscious University Press viewer visual experience visual field visual space Western zootrope