Film Architecture and the Transnational Imagination: Set Design in 1930s European CinemaEuropean cinema between World Wars I and II was renowned for its remarkable attention to detail and visual effects in set design. Visionary designers such as Vincent Korda and Alfred Junge extended their influence across national film industries in Paris, London, and Berlin, transforming the studio system into one of permeable artistic communities. For the first time, Film Architecture and the Transnational Imagination provides a comparative study of European film set design in the late 1920s and 1930s. Based on a wealth of drawings, film stills, and archival documents from the period, this volume illuminates the emerging significance of transnational artistic collaboration in light of developments in Britain, France, and Germany. A comprehensive analysis of the practices, styles, and function of interwar cinematic production design, Film Architecture and the Transnational Imagination offers new insight into the period's remarkable achievements and influence on subsequent generations. |
Contents
Acknowledgements | 9 |
Staging the Gesamtkunstwerk | 37 |
Conceptions of Space and Narrative in Hollywood and Germany | 43 |
Copyright | |
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aesthetic Affrons Alexandre Trauner Alfred Junge Andreiev ANGST architectural Art Deco art director artistic ASPHALT audience authenticity Berlin Berthomé Britain British Film British Film Institute CALIGARI camera Carrick chapter characters cinematographer classical collaboration construction contemporary context created cultural dance décor decorative drawings elements émigré European example exotic film industry film's filmmaking FIRE OVER ENGLAND frame France French cinema function genre German film haptic HERRIN VON ATLANTIS historical Holk Hollywood interior ISBN hardcover 978 ISBN paperback 978 Jessie Matthews Kermesse héroïque Kettelhut KNIGHT WITHOUT ARMOUR Korda Kracauer La Kermesse héroïque Lazare Meerson lighting London Meerson METROPOLIS Metzner modern modernist movement narrative NINA PETROWNA Pabst's painting palace Paris Parisian particular popular practice Production Design realism Reimann Robert Herlth Röhrig SCARLET PIMPERNEL scene screen set design shot space spatial stage star street studio style stylistic suggests Tashiro theatre Thomas Elsaesser tion Vincent Korda visual Weimar cinema Zouzou