Dr. Seuss Goes to War: The World War II Editorial Cartoons of Theodor Seuss Geisel

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New Press, 1999 - Art - 272 pages
A treasure trove of World War II-era political cartoons by the creator of The Cat in the Hat. For decades, readers throughout the world have enjoyed the wonderful stories and illustrations of Theodor Seuss Geisel, better known as Dr. Seuss. But few know Geisel's work as a political cartoonist for the New York daily newspaper PM during World War II. In these trenchant cartoons, Geisel captured the Zeitgeist--especially the attitudes of the New Deal liberals who read PM--with signature Seussian flair. Dr. Seuss Goes to War features handsome, large-format reproductions of almost 200 of the best of Geisel's cartoons from this time. The cartoons savage Hitler, Japan, Stalin, Mussolini, and "isolationist" leaders such as Charles Lindbergh. They exhort readers to give full support to the war effort, put up with shortages, buy U. S. savings bonds, and help control inflation. They are sharply critical of anti-Semitism and anti-black racism--and, shockingly, undeniably racist in their portrayal of Japanese Americans. An introduction and commentary by Richard H. Minear, historian of the era and author of Victors' Justice, place them in context and illuminate the national climate they reflect. Lovers of Dr. Seuss will take renewed delight in his whimsical and imaginative illustrations even as they may be disturbed by the attitudes reflected in some of his work. Those for whom World War II is an abiding passion will find a brand-new look at the war and American involvement. And those concerned with American attitudes--particularly in the press--will find that Dr. Seuss's cartoons of 1941 and 1942 bring back to life the mood and the issues of the day.

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About the author (1999)

Minear is professor of History at the University of Massachusetts, Amherst, and one of the country's leading historians of Japan during World War II.

Certainly the most popular of all American writers and illustrators of picture books, Geisel made his pseudonym Dr. Seuss famous to several generations of children and their parents. Geisel developed a rhythmic form of poetry that relied on quick rhymes and wordplay reminiscent of Mother Goose rhymes. He combined this with exaggerated cartoonlike illustrations of fantasy characters to entice children into stories that contained important messages, often presented with a great deal of irony and satire. Geisel always embraced the imagination of children and condemned adults' inability to join into it, using the child's view to reveal the flaws in society. His first picture book, And to Think That I Saw It on Mulberry Street (1937), describes a child's adding more and more imaginative elements to the story that he plans to tell about what he saw on the way home, only to end with the child actually telling the truth: he saw only a very uninteresting horse and cart. The Cat in the Hat (1957), written as a beginning reader, portrays two children having a magical afternoon with a strange cat while their mother is away, complete with a frantic cleanup before their mother can find out what they have done. This is probably his most famous work. Geisel's later books took on social questions more directly. The Butter-Battle Book (1984) condemned the cold war, and it is often removed from children's sections of libraries for political reasons. Likewise, The Lorax (1971), which condemned the destruction of the ecology, has also been banned. Altogether, Geisel wrote and illustrated 47 books, which have sold more than 100 million copies in 18 languages. In 1984 he received a Pulitzer Prize for his contributions to children's literature. More than a dozen of his books are still in print. His title The Bippolo Seed and Other Lost Stories made Publisher's Weekly Best Seller List for 2011. In 2012 his work The Cat in The Hat made The New York Times Best Seller List and in 2014 his title Fox in Socks: Dr. Seuss's Book of Tongue Tanglers also made the list.

Artist and writer Art Spiegelman is a teacher at the University of California, Santa Cruz. He is the creator of Maus, a graphic novel that depicts his father's struggles in Hitler's Europe, and which earned Spiegelman a Pulitzer Prize.

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