Film Art: An IntroductionFilm is an art form with a language and an aesthethic all its own, and since 1979 David Bordwell and Kristin Thompson's 'Film Art' has been the most respected introduction to and analysis of cinema. In this 7th edition, the book has been extensively re-designed to improve readability. |
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Page 259
... offscreen space . A character can direct looks or gestures at something offscreen . As we shall see in Chapter 9 , sound can offer potent clues about offscreen space . And , of course , something from offscreen can protrude partly into ...
... offscreen space . A character can direct looks or gestures at something offscreen . As we shall see in Chapter 9 , sound can offer potent clues about offscreen space . And , of course , something from offscreen can protrude partly into ...
Page 314
... offscreen ; shot B shows us what is being looked at . In neither shot are both looker and object present . In the Maltese Falcon opening , the cut from the shot of Effie ( shot 3 , 8.61 ) to the shot of Spade at his desk ( shot 4 , 8.62 ) ...
... offscreen ; shot B shows us what is being looked at . In neither shot are both looker and object present . In the Maltese Falcon opening , the cut from the shot of Effie ( shot 3 , 8.61 ) to the shot of Spade at his desk ( shot 4 , 8.62 ) ...
Page 367
... offscreen . And if one of those offscreen people speaks , we still assume that the sound is coming from part of the story space . Thus diegetic sound can be either onscreen or offscreen , depending on whether its source is within the ...
... offscreen . And if one of those offscreen people speaks , we still assume that the sound is coming from part of the story space . Thus diegetic sound can be either onscreen or offscreen , depending on whether its source is within the ...
Contents
ONE CHAPTER ONE Film Production Distribution and Exhibition 1 | 18 |
PART Film Form | 47 |
CHAPTER THREE Narrative as a Formal System | 68 |
Copyright | |
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abstract action actors angle animation artwork audience background Ballet mécanique become begins camera movement Chapter character's characters Chungking Express cinema cinematographer Citizen Kane classical classical Hollywood cinema close-up color comedy composition computer-generated imagery contrast conventions costume create cues depth dialogue diegetic director documentary Dorothy Duck Amuck editing elements emphasizes example expectations fiction films film form film's filmmaker flashback footage foreground formal functions Gap-Toothed Women genre Hollywood horror film Kane's lens light long take look Maltese Falcon manipulation meanings mise-en-scene mobile frame motif motivation moves movie narration narrative film narrative form newsreel nondiegetic North by Northwest objects offscreen overall pattern photographed play plot present production Roger scene Segment sequence shape shooting shows sound track space spectator story events story information studio style stylistic suggest techniques television theater tion University Press usually viewer visual Wizard of Oz woman York