The Social History of Art, Volume 1

abstract Aeschylus aesthetic already ancient aristocracy artistic become bourgeois Byzantine Byzantine art Byzantium Carolingian art century character chivalric Church cities classical antiquity completely conception of art court courtly culture decorative early Middle Ages elements Emperor epic Euripides expression expressionism fact feudal figures formal forms frontality geometric style Gothic Gothic art Greek H. M. CHADWICK hand Hellenistic heroic lay Ibid iconoclasm idea ideal individual influence intellectual kalokagathia kings knights Kunst labour late Roman later less longer lyric magic MAX DVOŘÁK means medieval ment merely Merovingian middle class migration period Minnesangs minstrel modern monasteries monastic money economy monks Museum naturalistic nature Neolithic nobility noble official origin outlook painters painting Palaeolithic peasant period picture poems poet poetry popular portraits primitive principle production purely reality religious representation Romanesque art sculpture secular singer social society songs spiritual tion tradition troubadour upper class urban Utrecht Psalter whole workshops