'Other' Spanish Theatres: Erasure and Inscription on the Twentieth Century Spanish Stage'Other' Spanish Theatres challenges established opinions on modern Iberian theatre through a consideration of the roles of contrasting figures and companies who have impacted upon both the practice and the perception of Spanish and European stages. In this broad and detailed study, Delgado selects six subjects which map out alternative readings of a nation's theatrical innovation through the last century. These six subjects include Margarita Xirgu, Enrique Rambal, María Casarest and Nuria Espert. |
Contents
Introduction | 1 |
Enrique Rambal | 67 |
3 | 88 |
Nuria Espert | 132 |
5 | 153 |
La Cubana | 225 |
Conclusion | 259 |
| 281 | |
| 311 | |
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Common terms and phrases
actors actress Alberti Alonso Álvarez Anon articulated artistic atre audience backstage Barcelona Bernarda Alba Bodas de sangre Castilian Catalan Cegada de amor centre cinema cited in Rodrigo collaboration Comedia company's contemporary critics Cubana cultural Delgado directed director Divinas palabras Doña Rosita drama dramatist Els Comediants Els Joglars Enrique Rambal Español Espert and Ordóñez Estrellita exile Federico García Lorca Festival figure film Franco French Fura dels Baus further details García Lorca Genet's Guansé Jorge Lavelli Josep Juan La Cubana Lavelli Lliure Lluís Pasqual López Madrid Margarita Xirgu Maria María Casares María Guerrero Milán Monleón musical Nuria Espert opening opera País Paris Pérez de Olaguer performance play political premiered production production's público Puigserver Puigserver's recognised rehearsal repertoire Rivas Cherif role Sagarra scene seen served social space Spain Spanish stage Spanish theatres spectators Teatre Lliure teatro Théâtre theatrical tion tour Valle-Inclán Yerma Zatlin