The Philosophy of Charlie KaufmanDavid LaRocca From the Academy AwardÐwinning Eternal Sunshine of the Spotless Mind (2004) and Academy AwardÐnominated Adaptation (2002) to the cult classic Being John Malkovich (1999), writer Charlie Kaufman is widely admired for his innovative, philosophically resonant films. Although he only recently made his directorial debut with Synecdoche, New York (2008), most fans and critics refer to ÒKaufman filmsÓ the way they would otherwise discuss works by directors Woody Allen, Martin Scorsese, or the Coen brothers. Not only has Kaufman transformed our sense of what can take place in a film, but he also has made a significant impact on our understanding of the role of the screenwriter. The Philosophy of Charlie Kaufman, edited by David LaRocca, is the first collection of essays devoted to a rigorous philosophical exploration of KaufmanÕs work by a team of capable and critical scholars from a wide range of disciplines. From political theorists to philosophers, classicists to theologians, professors of literature to filmmakers, the contributing authors delve into the heart of KaufmanÕs innovative screenplays, offering not only original philosophical analyses but also extended reflections on the nature of film and film criticism. |
Contents
1 | |
23 | |
2 On Being John Malkovich and Not Being Yourself | 46 |
3 The Divided Self | 66 |
4 Unauthorized Autobiography | 89 |
5 Me and You | 111 |
6 I Dont Know Just Wait | 132 |
7 Charlie Kaufman Philosophy and the Small Screen | 155 |
10 Theres No More Watching | 208 |
11 Human Nature and Freedom in Adaptation | 224 |
12 Synecdoche in Part | 239 |
13 Nietzschean Themes in the Films of Charlie Kaufman | 254 |
14 Inconclusive Unscientific Postscript | 269 |
Filmography | 295 |
Contributors | 297 |
303 | |
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actors Adaptation anxiety Aristotle artist autobiography Barris Barris's become beginning body Caden Carlyle Cartesian Cavell characters Charlie Kaufman Charlie's Chuck Barris Clooney comedy Confessions Cotard Craig create critical Dangerous Mind Donald Donald Kaufman emotional episode escape Eternal Sunshine existential experience fact feel fiction Friedrich Nietzsche friendship Gondry heteronormativity Hollywood Human Nature Ibid idea identity Joel and Clementine Joel's John Malkovich Kafka's Kaufman’s films Kierkegaard kind Laroche Lila lives Lotte Margalit Maxine means memory Michel Gondry Montaigne movie narrative Ned and Stacey Nicolas Cage Nietzsche Nietzsche's one’s oneself Orchid Thief Orlean ourselves person Philosophy play portal pseudonymous Puff puppeteer question reality reflection relationship remarriage romantic scene Schwartz screenplay screenwriter sense sexual Shooting Script Spike Jonze Spotless Mind Stacey Stanley Cavell story Susan Orlean Synecdoche tells theater theory things transcendence truth understanding University Press viewer Wittgenstein writing York