The Rāgas of Early Indian Music: Modes, Melodies, and Musical Notations from the Gupta Period to C. 1250The concept of raga, the traditional basis of melodic composition and improvisation in Indian classical music, has become familiar to listeners and musicologists throughout the world, but its historial origins and early development have been little explored. The author draws on written documents from the pre-Islamic period in India, including musical treatises (especially that of the thirteenth-century theorist, Sarngadeva), literary works, and a remarkable inscription comprising musical notation. These documents bear witness to the development of the earlier ragas, which they name, classify, define, and in some cases illustrate with melodic examples. The melodies, which have not previously been studied in detail, form the focus of the book, which analyses their notation, musical structure and relationship to the theoretical tradition in which they are embedded, as evidence for the early history of melodic compostion and improvisation in the Indian tradition. |
Contents
concepts functions and organization | 29 |
An approach to the study of early Indian music notations | 87 |
The Kuḍumiyāmalai Inscription | 103 |
Copyright | |
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1/Madhyamagrāma AABh ākṣiptikā alamkāra ālāp ālāpa arched harp ascending bhāṣās BhNS cadence century chapter context definition derived descending desī-rāgas dhrupad early Indian music episode evidence Example fifth function Gāndhārī gīti grāma grāmarāga system Group heptatonic hexatonic improvisation indicated inscription intervals jāti and rāga jāti system Kaiśika kākalī kalā Kālidāsa karaṇa Kasyapa later Ma-grāma mandra MBDp measure melodic consonance melodic movements metrical millennium modal system modern modes mūrchanā notated melodies NSHA occur octave omitted original Pańcama pentatonic performance pitch-levels Predominant and Final primary grāmarāgas primary jātis rāga rāga system reiterated relationship repertory represent rhythmic rūpaka Ṣāḍava sādhāraṇa pitches Saindhavi Sanskrit Śārngadeva scale secondary jātis semitone Śiva song sources śrutis ŚSR SSR melodies Sub-Final suddha svaras syllables tāla tāra tetrachord tonic tradition transcription vādī variants varṇa vartanī verse Vesara vīņā vowel