Homicide: Life on the Streets--the Unofficial Companion

Front Cover
Macmillan, Jul 15, 1998 - Performing Arts - 348 pages
Intelligent writing, intense characters, a dark sense of humor, innovative editing, and complex plots--Homicide: Life on the Street has raised the caliber of television police drama

Homicide: Life on the Street is addictive television. Each week we watch to see who Detective Pembleton will spar with in "the Box," or what conspiracy theories Detective Munch will be espousing as the truth, but more than anything we tune in to see the gritty reality that makes this show the best police drama to ever grace the small screen. There aren't any car chases, rarely any shootouts, and sometimes the cases don't get solved. Instead, these detectives keep their clothes on, have a relentlessly morbid sense of humor, and catch the criminals because they have brains, not necessarily brawn. In other words, they're real.
Homicide: Life on the Street, The Unofficial Companion by David P. Kalat--the first and only full-length guide to this Emmy Award-winning and three-time Peabody Award-winning television series--brilliantly captures the essence of this groundbreaking show.

You'll Learn About:

famed filmmaker Barry Levinson's decision to bring Homicide to television instead of making a film of David Simon's novel Homicide: A Year on the Killing Streets

the behind-the-scenes anecdotes about cast regulars, including the onscreen clutches that led to offscreen romances

the producers' many battles with the network suits over poor placement in the schedule, and the series' repeated trips to the land known as hiatus

cast casualties--why they left or were let go

the esteemed cast--including Andre Braugher, Ned Beatty, Daniel Baldwin, and Yaphet Kotto, among others--the characters they've created, and their beyond-Homicide careers

season-by-season critiques of each episode

Revealing, resourceful, and thoughtful, Homicide: Life on the Street, the Unofficial 0Companion is a must-have for any fan!
 

Contents

Life on the Street Acknowledgments
11
Life on the Street Introduction
13
Life on the Street 1 The Best Damn Show on Television
15
Life on the Street 2 The Cast and Crew
29
Life on the Street 3 The First Season A Year on the Killing Streets
101
Life on the Street 4 The Second Season Four Chances
125
Life on the Street 5 The Third Season White Gloves and Red Balls
139
Life on the Street 6 The Fourth Season Law and Order
175
Life on the Street Appendix B Get the Music Back
301
Life on the Street Appendix C Glossary
311
Life on the Street Appendix D The Homicide Seminar at the Museum of Television and Radio
313
Life on the Street Appendix E Hollywood on the Harbor
315
Life on the Street Appendix F The Books
317
Life on the Street Appendix G Homicide Resources
319
Life on the Street Appendix H How to Be an Extra
323
Life on the Street Bibliography
325

Life on the Street 7 The Fifth Season Breathing Space
219
Life on the Street 8 The Sixth Season Last Call Maybe
261
Life on the Street Appendix A Episode Checklist
297
Life on the Street Index
341
Life on the Street About the Author
347
Copyright

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About the author (1998)

David Kalat is the author of A Critical History and Filmography of Toho's Godzilla Series (McFarland and Co., 1997), a study of the forty-year history of Japan's most famous film exports. Mr. Kalat is also the founder of All Day Entertainment, a producer of Digital Video Discs (DVDs), releasing classic and obscure motion pictures in high-quality collector's editions exclusively on this new home video format. As a member of the Washington-Baltimore film production community where Homicide: Life on the Street is shot, Kalat has had many contacts with the television series. He previously worked at the motion-picture lab where Homicide processed each episode's film, and was involved in the very first season's production. As operations manager of D.C. Post, one of the region's most esteemed film and video postproduction houses, Kalat worked closely with Emmy-winning editor Tony Black, who edited Homicide's pilot installment. Mr. Kalat taught screenwriting at the John Waldron Arts Center in Bloomington, Indiana, and was on the Board of Directors for the Bloomington Playwrights Project, one of Indiana's most acclaimed theater companies. Kalat also sprots credentials as a freelance cinematographer and animator, and has directed several award-winning short films. His most recent film premiered at Washington, D.C.'s famed Biograph Theater. He was born in Philadelphia on April 7, 1970, and grew up in the Raleigh-Durham area of North Carolina. He earned his bachelor of arts at the University of Michigan in 1988, graduating with highest honors from the Film and Video Studies program. He lives in Alexandria, Virginia, with his wife Julie and daughter Ann.

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