The Social History of Art: Naturalism, Impressionism, The Film ageV.1. Prehistoric times, Ancient-Oriental urban cultures, Greece and Rome, The M iddle Ages. v.2. Renaissance, Mannerism, Baroque. v.3. Rococo, Classicism, Roma nticism. v.4. Naturalism, Impressionism, The Film Age. |
Contents
THE GENERATION OF 1830 | 3 |
THE SECOND EMPIRE | 60 |
THE SOCIAL NOVEL IN ENGLAND AND RUSSIA | 106 |
Copyright | |
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absolute aesthetic aestheticism already ANDRÉ BRETON aristocratic artistic attitude Balzac Baudelaire becomes begins bohème bour bourgeois society bourgeoisie character classical colour conception conflict consciousness criticism culture D. S. MIRSKY described Dickens Dostoevsky drama economic elements Eugène Sue everything existence experience expression fact feeling fight film Flaubert France French genre George George Eliot heroes human Ibid Ibsen idea ideal impressionism impressionistic individual intellectual intelligentsia July monarchy l'art pour l'art liberalism literary literature Madame Bovary Mallarmé material means ment merely method middle class modern moral movement naturalism naturalistic never novel outlook painting Paris period philosophy play poetry political principle problem production Proust psychological purely rationalism readers realism reality relationship represents Revolution romantic romanticism Russian Second Empire sense Slavophils social socialistic spiritual spite stage Stendhal story struggle style symbol taste theatre THOMAS MANN tion Tolstoy Victorian whole words writers Zola