African Folklore

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Indiana University Press, 1972 - Social Science - 587 pages
An eminent folklorist here presents a rich repository of materials on the theory and practice of folklore studies in Africa. The volume opens with an extended essay by Richard M. Dorson, "Africa and the Folklorist," in which he indicates the potentialities for investigating African cultures through the concepts of folklore. The second part of the volume consists of sixteen papers from the African Folklore Conference. These papers are exhaustive treatments of specific aspects of African culture that make fascinating reading. They deal with such topics as African folktales, myth, epic songs, proverbs, tongue-twisters, story tellers, folk drama, and drug visions. Also fascinating are the texts of African folktales that make up the third section of this book. These were tape-recorded in the field by contributors and include texts from the Sudan, Liberia, Ghana, Mali, Cameroun, Gabon, and South Africa. -- From publisher's description.

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Contents

Philip A Noss Description in Gbaya Literary
73
Dan BenAmos Two Benin Storytellers
103
Harold Scheub The Art of Nongenile Mazith
115
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About the author (1972)

In 1957, Richard M. Dorson replaced Stith Thompson as the head of folklore studies at Indiana University, establishing himself as a major scholar and perhaps the foremost influence in the field. Dorson is often called the father of American folklore. In addition, he is given credit for bringing about an international or cross-cultural approach to the subject. Dorson was editor of the Journal of American Folklore (1959-63), president of the American Folklore Society (1967-68), and author of numerous studies on the subject. His textbook, American Folklore (1959), which employs a historical approach, was the first comprehensive study of the subject. In it he attempted to bring about what he calls a hemispheric theory, wherein the disciplines of both folklore and history are combined, stressing the intimate bonds between the culture of the folk and the history of the American experience. It is still recognized as a classic work.

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