Feminine Endings: Music, Gender, and Sexuality, Part 7
When it was originally published in 1991, Feminine Endings was immediately controversial for its unprecedented intermingling of cultural criticism and musical studies, an approach that came to be called "the New Musicology." Through case studies of works ranging from the canonical -- operas by Monteverdi and Bizet -- to the contemporary -- the performance art of Diamanda Galas and popular songs by Madonna -- Susan McClary focuses on the ways music produces images of gender, desire, pleasure, and the body, and explores the gender-based metaphors that circulate in discourse about music. The now classic work features a new introduction that discusses the critical reception it received and the debates it has inspired.
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Review: Feminine Endings: Music, Gender, and SexualityUser Review - Emily - Goodreads
Although I was an English major in college, and my primary mode of artistic connection has always been literature, I somehow ended up with a surprising number of musicologist friends. Well, four of ... Read full review
Review: Feminine Endings: Music, Gender, and SexualityUser Review - Goodreads
McClary looks at several classical compositions through the eye of a musicologist, filtered through feminist ideas. She does in-depth readings of many great composers, but also Madonna and Laurie ...
Introduction A Material Girl in Bluebeards Castle
Constructions of Gender in Monteverdis Dramatic Music
Sexual Politics in Classical Music
Excess and Frame The Musical Representation of Madwomen
Getting Down Off the Beanstalk The Presence of a Womans Voice in Janika Vanderveldes Genesis II
Susan mcclary - Wikipedia, the free encyclopedia
From Wikipedia, the free encyclopedia. Jump to: navigation, search. Susan mcclary (born 2 October 1946) is a musicologist considered to be a significant ...
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JSTOR: Some Thoughts on Susan mcclary's "Feminine Endings"
Some Thoughts on Susan mcclary's "Feminine Endings". Jann Pasler. Perspectives of New Music, Vol. 30, No. 2, 202-205. Summer, 1992. ...
Feminism and Musicology
Feminine Endings: Music, Gender, and Sexuality. Minneapolis: U of MN P, 1991. ---. "A Response to Elaine Barkin."Perspectives in New Music 30:2 (Summer ...
www.geocities.com/ jeff_l_schwartz/ mcclary.html
Robert Christgau: Theory of the Rhythmic Class: Susan mcclary's ...
Theory of the Rhythmic Class. FEMININE ENDINGS Music, Gender, and Sexuality By Susan mcclary University of Minnesota Press ...
www.robertchristgau.com/ xg/ bkrev/ mcclary-91.php
Feminine Endings. Music, Gender, and Sexuality. Susan mcclary. Table of Contents. $20.00 Paper ISBN: 0-8166-4189-7 ISBN-13: 978-0-8166-4189-5 ...
www.upress.umn.edu/ Books/ M/ mcclary_feminine2.html
Sayrs/Notes for<I>Decontructing mcclary</I>
3Susan mcclary, Feminine Endings: Music, Gender, and Sexuality (Minneapolis: University of Minnesota Press, 1991). Back toText ...
www-ccrma.stanford.edu/ ~leigh/ csw/ bibliography/ McClaryFramesNotes.html
James Wierzbicki / gender issues
Susan mcclary's "Feminine Endings: Music, Gender and Sexuality" Catherine Clement's "Opera, or the Undoing of Women". Susan mcclary's "Feminine Endings: ...
pages.sbcglobal.net/ jameswierzbicki/ gender.htm
JHU Libraries Catalog
Feminine endings : music, gender, and sexuality / Susan mcclary. Author:. mcclary, Susan. Subjects:. Feminism and music · Sexuality in music. Publisher: ...
catalog.library.jhu.edu/ ipac20/ ipac.jsp?session=C2074TL575570.191914&
E-resource on trial. Ask a Librarian Seek information advisory service · HKUL > Electronic Resources. Feminine endings : music, gender, and sexuality ...
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Susan mcclary - Wikiquote
Feminine Endings: Music, Gender, and Sexuality, p.128-129. Minnesota: University of Minnesota Press. ISBN 0816618984. ...
en.wikiquote.org/ wiki/ Susan_McClary