Aristophanes' FrogsAristophanes is widely credited with having elevated the classical art of comedy to the level of legitimacy and recognition that only tragedy had hitherto achieved, and producing some of the most intriguing works of literature to survive from classical Greece in the process. Among them, Frogs has a unique appeal; written and performed in 405 BCE, the comedy won first prize in that year's Lenaea festival competition and was re-performed soon thereafter--a rare occurrence for comedies at the time. Frogs has been admired and quoted by readers and critics ever since, a testament to its timeless appeal; it remains among the most approachable of Aristophanes' plays, as well as perhaps the richest of all in insights it provides into ancient Greek cultural attitudes and values. Mark Griffith's study of the Frogs is the first single book to offer a reliable and sophisticated account of this play in light of modern notions of culture, performance, democracy, religion, and aesthetics. After placing the work in its original historical, cultural, and biographical context, Griffith goes on to underscore the originality of Frogs in relation to parallel developments in the tragedies of Aeschylus and Euripides, among others. He highlights the play's unique portrayal of the figure of Dionysus, the Eleusinian mystery cult, and the question of life after death. This title provides not only a detailed analysis of the play and a concise account of its reception, but also a succinct introduction to ancient Greek comedy, exploring the extraordinary range of theatrical conventions, moral and aesthetic assumptions, and religious beliefs that underlie the action of Aristophanes' play. The book provides an invaluable companion to Aristophanes and the theater of classical Greece for students and general readers alike. |
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Acharnians actors actually Aeschylean Aeschylus Aeschylus and Euripides agôn Alcibiades ancient and/or appear Aristophanes artistic Athenian Athenian comic Athens Attic audience auloi celebration certainly chapter characters choral chorus citizens City Dionysia city’s classical Cleon comic playwright comic poet competition contest contrast costumes course Cratinus critical cult cultural dance dead Dion Dionysian dithyrambic divine drama Eleusinian Mysteries epic especially Eupolis Euripidean Euripides festival fifth century Frogs goddess Greece Greek Hades Heracles hero Hesiod Homer Iacchus ideas Initiates judge kind language latefifth century later lived lyric Lysistrata modern moral Muse musical Old Comedy original Orphic parabasis parody passage performance perhaps Persephone Pherecrates Phrynichus Plato play’s plays Plouton poetic poetry political politician ritual rival salvation scene scholars seems sexual singing slave social Socrates songs sophisticated Sophocles Spartan stage style texts Theater of Dionysus Thesmophoriazusae traditional tragedians tragedy tragic translation trireme Underworld women words Xanthias Zeus