The Collected Shorter Poems

Couverture
New Directions Publishing, 1966 - 348 pages
This volume brings together all of Kenneth Rexroth's shorter poems from 1920 to the present, including a group of new poems written since the publication of Natural Numbers, drawn from seven earlier books. Among the American poets of the generation that came to prominence in the Forties, Kenneth Rexroth has been notable both for the independence of his personal voice and for his accessibility to the tradition of international avant-garde literature. He began writing and publishing in magazines at fifteen. His earliest work was personal and concrete, much like that of the Imagists. In his twenties he wrote in the disassociative style--sometimes called "literary cubism "--developed by Mallarmé, Apollinaire, and Reverdy. This was not free association, but the conscious disassociation and recombination of the elements of the poem to achieve the highest possible level of significance. With his later books Rexroth moved back to a direct and classically simple form of personal statement. In this period he wrote the great nature poems, the love poems, and the contemplative lyrics that have established his reputation as one of the most important American poets.
 

Pages sélectionnées

Table des matières

Section 1
2
Section 2
15
Section 3
19
Section 4
25
Section 5
27
Section 6
79
Section 7
104
Section 8
137
Section 12
179
Section 13
203
Section 14
221
Section 15
229
Section 16
233
Section 17
288
Section 18
293
Section 19
294

Section 9
146
Section 10
157
Section 11
163
Section 20
316
Droits d'auteur

Autres éditions - Tout afficher

Expressions et termes fréquents

À propos de l'auteur (1966)

Kenneth Rexroth was born in South Bend, Indiana, and worked at a wide variety of jobs, being largely self-educated. In the late 1950s, he won a number of awards, including an Amy Lowell Travelling Fellowship, the Shelley Memorial Award, and a National Institute of Arts and Letters Literature Award. He translated widely, mainly from the Japanese, and wrote a lively account of his life, An Autobiographical Novel. His work influenced many younger poets, such as Snyder, and continued in part the traditions of imagism and objectivism. A critic as well as a poet, his collections of essays include American Poetry in the Twentieth Century (1971) and Communalism: From Its Origins to the Twentieth Century (1975).

Informations bibliographiques