Spanish Popular Cinema
Antonio Lázaro Reboll, Andrew Willis
Manchester University Press, Sep 4, 2004 - Performing Arts - 260 pages
This is the first collection in English to focus exclusively on the various forms of popular film produced in Spain and to acknowledge the variety, range and depth of Spanish cinema. Contributors from across Hispanic, media and cultural studies explore a range of genres, from the musicals of the 1930s and 1940s to contemporary horror movies, historical epics of the 1940s and 1950s and contemporary representations of the Spanish Civil War. The book includes reappraisals of key popular directors such as Luis Garcia Berlanga and Antonio Mercero as well as critical analyses of celebrated stars like Marisol. It provides innovative consideration of the promotion and reception of horror in the 1960s, recollections of cinema-going in Madrid, and reflections on successful recent works such as Abre los Ojos and Solas.
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film studies Spanish cinema
historical and musical dramas
the ideology of stardom
the rhetoric of historical
representations of the Spanish
from an experience of local cinemas
Populism the nationalpopular and the politics
the Spanish Cinderella Peter W Evans
Abre los ojos actors Agustina de Aragon Alba de America Andalusian Antonio argues Barcelona Berlanga Bigas Luna box-office Carlos Carlos Aured censorship Cesar characters Cifesa Civil comedy Contemporary Spanish context critical D'Lugo directors discourse drama Espana espanol espanolada Evans Evilio feature female film-makers film's Filmoteca folklorica foreign Franco Francoist gender habia historical Hollywood horror films horror genre Ibanez Ibanez Serrador iBienvenido ideological Imperio Argentina Jesus Franco Jose Luis Juan Julieta Labanyi Locura de amor Lola la piconera London Madrid mainstream Manchester Manuel Maria Mariquilla Marisol Mercero's Narciso Ibanez narrative No-Do Oxford past peliculas performance period Placido play plot political popular culture popular film production protagonist representation residencia role Santiago Segura Sara Montiel scene screen sequence sexual shot social softcore Solas Spain Spanish cinema Spanish culture Spanish film Spanish horror spectators star stardom Stela success television tion University Press Vicente Aranda viewer women Zaragoza