Dance as Dance: Selected Reviews and Essays

American Angels arms artistic audience Balanchine ballerina beautiful becomes better body boys called Canada choreographer City classical classical ballet Concerto corps costumes couple course critics dance dancers deux doesn't Dream dressed effect especially expression face fact feel figure final forms four girls gives Grands hands head interesting it's Juliet Kain kind Lady least legs less lifts light look male matter means move movement National Ballet nature never night obviously opening pas de deux performance perhaps piece play presented pretty probably production programme relationship repertoire role Romeo Royal season seems seen sense sequence sexual space spring stage stars steps style Swan technique Theatre there's thing Toronto turn Winnipeg woman women workshop York young